On The Move Study — original minimalist ink hand painting by Simone Brewster. Please note: due to the ink on the paper, these works will not appear completely flat —...
On The Move Study — original minimalist ink hand painting by Simone Brewster.
Please note: due to the ink on the paper, these works will not appear completely flat — the paper moves with the weight of the ink. This is very much the charm and aesthetic of the work.
Movement — the condition that the paper itself enacts. The ink's weight pulls the paper away from flat, so that On The Move is a piece about movement that is literally in motion at the material level, the support refusing to stay still under the weight of what has been placed on it. Simone Brewster (b. 1983, London) is an artist, designer, educator and cultural change-maker of Jamaican and Trinidadian heritage. She studied Architecture at the Bartlett School of Architecture, University College London and holds an MA in Design Products from the Royal College of Art. Her practice spans sculpture, furniture, jewellery, painting and objets d'art, with furniture pieces such as the Negress chaise lounge and the Mammy stool acquired by the Smithsonian Museum and the Museum of London. Her work has been exhibited at the British Embassy (London 2012 Olympic Games, British Design Talent), the Royal College of Art 175 Year Anniversary Exhibition, and Collect at the Saatchi Gallery.. Brewster's practice spans architecture, furniture, sculpture, jewellery and painting — the ink studies belong to the most direct and immediate part of that range, the hand moving across the paper without the mediation of industrial process or structural calculation. Our guide to investing in original artwork is essential reading at this price point. Signed. £550.
Edition of
One off Original |
Signed |
Size:
450 x 630mm |
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Simone Brewster (b. 1983, London) is an artist, designer, educator and cultural change-maker of Jamaican and Trinidadian heritage. She studied Architecture at the Bartlett School of Architecture, University College London and holds an MA in Design Products from the Royal College of Art. Her practice spans sculpture, furniture, jewellery, painting and objets d’art. Furniture pieces including the Negress chaise lounge and the Mammy stool — exploring the history of Blackness and the oppression of women of colour — have been acquired by the Smithsonian Museum and the Museum of London. Her work has been exhibited at the British Embassy during the London 2012 Olympic Games as British Design Talent, at the Royal College of Art 175 Year Anniversary Exhibition, and at Collect at the Saatchi Gallery. Her ink paintings, which she came to in her forties as a means of exploring self-identity and the emotions sparked by motherhood, are the most direct and intuitive part of her practice — the Studies at Print Club London sitting alongside the architectural and sculptural work as the most personal body of her output. Her hero is Louise Bourgeois.
