A secret rendezvous, or just a reason to stand outside and look up — Meet Me In The Moonlight works either way. Newton’s moon imagery recurs across his catalogue partly because the subject suits his process: clean shapes that reward the kind of careful hand-cutting he does with scissors and paper rather than a mouse and screen.
The gold foil is applied as a separate hand-finished layer after printing, which means the warmth of it sits slightly differently across each copy in the edition. That’s consistent with how he works across all his prints — celebrating the slight variations that come with making everything by hand rather than ironing them out.
