Tropical Swim is a bold, vibrant print by Maxine Gregson, capturing the essence of sun-drenched paradise. Using her signature CMYK process, Maxine layers cyan, magenta, yellow, and black to create...
Tropical Swim is a bold, vibrant print by Maxine Gregson, capturing the essence of sun-drenched paradise. Using her signature CMYK process, Maxine layers cyan, magenta, yellow, and black to create rich depth and striking contrast. The artwork blends tropical motifs with retro flair, featuring lush palm leaves and vintage-inspired swimwear, transporting you to an endless summer by the sea.
Printed in a 4-color screen print technique on high-quality recycled paperback paper, Tropical Swim reflects Maxine’s commitment to sustainability without compromising on visual impact. This large edition piece is perfect for adding a splash of color and a sense of tropical escapism to any space.
Ideal for lovers of modern art with a nostalgic twist, this print brings both boldness and warmth to your home.
ABOUT THE ARTIST
Maxine Gregson
Maxine Gregson is a London-based screen printer known for layering typography, grid structures and architectural line work over landscape and photographic imagery. Her prints sit somewhere between memory and design — sun-bleached motels, empty desert roads, lakeside swims and mid-century interiors reworked with a contemporary, graphic eye. By pairing retro reference points with present-day visual language, she builds scenes that feel familiar yet slightly displaced, as though pulled from a holiday that never quite happened.
Before turning to printmaking full-time, Gregson spent two decades as a commercial graphic designer, beginning her career at AMX Digital, one of the UK’s earliest digital agencies. That design background still informs her practice, visible in the precise grids and layered type that anchor each composition. Every edition is hand-printed using the CMYK process from her own London studio.
Her work has been selected for the Royal Academy Summer Exhibition, shown at the Woolwich Contemporary Print Fair, and included in the Tate Modern’s Derek Jarman Open Call. She has also been featured in The Guardian and Observer Magazine. Often described as “Nostalgic Futurism,” her prints continue to draw collectors who are pulled toward their mix of vintage warmth and modern structure.