Glass Frame - Pick up only , Due to the glassing being glass we can only offer pick up or arrange for the courier at cost. Maxine Gregson presents a...
Glass Frame - Pick up only , Due to the glassing being glass we can only offer pick up or arrange for the courier at cost.
Maxine Gregson presents a large cyanotype print of a 1960s model walking through New York City. This series marks her first commercial use of the historic cyanotype process. The technique creates bold, blue-toned images using UV light on treated paper. Each print is a unique 1/1 within a varied edition of 25.
Hand-finished with 24ct gold leaf, it adds rich contrast and detail. Printed on 350gsm paperback paper in our Hackney studio. Each piece is signed by the artist and exclusive to Print Club London.
ABOUT THE ARTIST
Maxine Gregson
Maxine Gregson is a London-based screen printer known for layering typography, grid structures and architectural line work over landscape and photographic imagery. Her prints sit somewhere between memory and design — sun-bleached motels, empty desert roads, lakeside swims and mid-century interiors reworked with a contemporary, graphic eye. By pairing retro reference points with present-day visual language, she builds scenes that feel familiar yet slightly displaced, as though pulled from a holiday that never quite happened.
Before turning to printmaking full-time, Gregson spent two decades as a commercial graphic designer, beginning her career at AMX Digital, one of the UK’s earliest digital agencies. That design background still informs her practice, visible in the precise grids and layered type that anchor each composition. Every edition is hand-printed using the CMYK process at Print Club London.
Her work has been selected for the Royal Academy Summer Exhibition, shown at the Woolwich Contemporary Print Fair, and included in the Tate Modern’s Derek Jarman Open Call. She has also been featured in The Guardian and Observer Magazine. Often described as “Nostalgic Futurism,” her prints continue to draw collectors who are pulled toward their mix of vintage warmth and modern structure.