Glass Frame - Pick up only , Due to the glassing being glass we can only offer pick up or arrange for the courier at cost. A striking photo collage...
Glass Frame - Pick up only , Due to the glassing being glass we can only offer pick up or arrange for the courier at cost.
A striking photo collage piece by Maxine Gregson, Ley Lines Dip features individuals enjoying a dip in a pool, set against the surreal backdrop of the desert. The work explores the intersection of natural beauty and metaphysical energy, placing the scene at the cross-section of ley lines, where unseen forces converge.
This 4-layer screenprint is meticulously printed by the artist herself in her Hackney studios, using a vibrant CMYK process to bring depth and texture to the piece. The layers build on one another, creating a rich, dynamic composition that fuses photographic realism with graphic abstraction.
Selected and exhibited at the prestigious Royal Academy Summer Exhibition 2023, Ley Lines Dip captures both a moment of leisure and the mystique of the desert landscape, making it a captivating addition to any collection. Each print embodies a unique blend of modern design and conceptual exploration, and is available in a limited edition.
ABOUT THE ARTIST
Maxine Gregson
Maxine Gregson is a London-based screen printer known for layering typography, grid structures and architectural line work over landscape and photographic imagery. Her prints sit somewhere between memory and design — sun-bleached motels, empty desert roads, lakeside swims and mid-century interiors reworked with a contemporary, graphic eye. By pairing retro reference points with present-day visual language, she builds scenes that feel familiar yet slightly displaced, as though pulled from a holiday that never quite happened.
Before turning to printmaking full-time, Gregson spent two decades as a commercial graphic designer, beginning her career at AMX Digital, one of the UK’s earliest digital agencies. That design background still informs her practice, visible in the precise grids and layered type that anchor each composition. Every edition is hand-printed using the CMYK process at Print Club London.
Her work has been selected for the Royal Academy Summer Exhibition, shown at the Woolwich Contemporary Print Fair, and included in the Tate Modern’s Derek Jarman Open Call. She has also been featured in The Guardian and Observer Magazine. Often described as “Nostalgic Futurism,” her prints continue to draw collectors who are pulled toward their mix of vintage warmth and modern structure.