Days of Heaven

£300

Details
30 Day Returns

Original gouache on paper painting.

Please note, if you would like to purchase this piece framed, these are only available in the float framing style. This is due to the uneven paper edges of these original works on paper, and will also be the best way to show off every detail and piece of character!

Dimensions: 210 x 300mm
Edition of One off Original
Signed

Returns for items in perfect condition can be made within 30 days of your initial order. If you wish to make a return you must inform us in writing within 30 days of making your order. When making a return you must send the item using a fully tracked delivery service and appropriate insurance as we will not be held responsible for items missing or damaged on their return journey. Please note, we cannot accept returns unless you have kept the original packaging and are able to repackage the item securely using this.

You will be given the option of an exchange or we will refund your payment minus postage. We aim to reimburse you within 14 working days. Items made to order are not subject to returns. For example, any artwork printed to order will be non-returnable. Due to monitor settings colours may vary slightly from the colours you see on screen. However if large variations occur we will advise before shipment.

Damaged items must be notified with 72 hours of receiving the artwork. After this point we cannot offer a refund or replacement.

Please note framed items are non-refundable. We offer a discretionary 2 months on framed artwork warranty.

If you return a print you will be refunded the value of your order, minus the original shipping charge. This includes orders which received free shipping.

If you exchange a print you will be charged shipping for the second order. Free delivery is on 1st orders only.

If your print arrives damaged and you need to return it then please advise us first and then send it back via 2nd class signed for. The maximum we will cover for return shipment is £4.00 for 2nd class signed for UK and £20 for international.

Please note these terms and conditions refer to the Online Shop only.

If you order a print for collection but fail to collect we can hold the print for 6 months after which time it will be returned to the artist and no refund will be given. Any artwork not collected within 30 days of the initial order is not eligible for a refund.

If you want to return a print after 30 days it is the galleries discretion to refund or offer a credit note. We do not offer refund on all extended returns.

Gift vouchers are eligible for refund within 30 days of placing the order, to the original cardholder only. Vouchers are not exchangeable for cash, and can only be redeemed against purchases or workshop bookings from printclublondon.com.

If you’re not happy with your artwork, simply return it to us within 30 days of delivery.

Framed Prints are non – refundable.

Returns Policy

Ed Burkes

‘The pitfalls of language allure to illegibility and it’s articulation that coerces me into painting. My engagement with making images is based on feeling, and my work is anchored around...

‘The pitfalls of language allure to illegibility and it’s articulation that coerces me into painting. My engagement with making images is based on feeling, and my work is anchored around expression as a confoundingly slippery pursuit. Dualities are something I often use as a tool to develop works, I enjoy the mischief that this stirs up. When the protagonist is also the lover, there is an arm bending going on where the notion of a contradiction neutralizes itself. This slows the work down to a point where in this instance, the gaze of the two are the same. I paint feelingly and painting helps me construct a response, I’m not trying to pin my work down to a specific thought or sensation, it’s a patchwork blanket. The work is definitely anchored around that inability to articulate, or at least the attempt to articulate. Because That’s what so seductive about painting for me, it comments on feeling.

The work is a snapshot that holds its own doggedness, and I hope there is some honesty in that.’

‘The pitfalls of language allure to illegibility and it’s articulation that coerces me into painting. My engagement with making images is based on feeling, and my work is anchored around...