Sequentially installed across three galleries, this exhibition presents an entire new body of work by Royal Academician Phyllida Barlow.
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PHYLLIDA BARLOW
cul-de-sac
Royal Academy of Arts
23rd Feb – 23rd June 2019
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Barlow’s early work responded to the Modernist sculpture that had emerged in Britain and Europe in the 1950s and early 1960s. As her practice evolved, she took against its weighty formalism and monumentalism, sensing an imposed morality and gravitated towards Arte Povera in Europe and sculptural developments in the USA.
Barlow continues to explore much of the spirit of these more fragile, but nonetheless confident formal sculptural statements in her own work.
By producing large-scale works and installations from everyday, industrial materials and expedient fabrication processes, Barlow challenges the ideas of monumentally and authority associated with traditional sculptural materials and methods.
Space is one of the starting points for Barlow, she refers to it as the ‘protagonist’ of the work she creates to inhabit it. Not site specific as such, the installations development is however dependent in some part on her response to a particular settings and the to volume and limitations it presents.
This exhibition of Barlow’s work is possibly one of my favourites to date. I was fortunate to see her work at the Venice Biennale in 2017 and its brutal colours and forms in a much darker space felt oppressive and uncomfortable, perhaps that was her intention. However this collection of sculptures feels to me much more coherent and well executed. Perhaps being at home in the RA suits her well. It certainly suits the sculptures and whilst its a small collation one could easily spend hours in the space engaging with the sculptures and as Barlow herself says ‘sculpture needs to be given time, you need to just wait with it and become the moving object that it instant so this action between the still and the moving is incredibly demanding for all.’
Phyllida Barlow is on the at Royal Academy until 23rd June and its well worth a visit if you are near by. Also currently running are the Bill Viola and Renaissance Nudes so give yourself plenty of time to see all three exhibitions.
-Kate Higginson, Director PRINT CLUB LONDON
Recently Regent Street and St James’s joined forces to debut Show In The Dark; an evening of arts and culture that shone a light on an array of unique artists. Throughout the course of the evening, independent stores, global flagship brands, galleries and restaurants throughout Regent Street and St James’s opened their doors to creatives such as ourselves.
We were invited down to join in with the fun at Regent Street’s Anthropologie store, where we printed designs by Jacqueline Colley, which were specially commissioned for this event.
Check out all the action below:
If you would like to hire us for an event or to our studio for a workshop, please contact [email protected] or [email protected]
On Monday 25th March we were invited to a preview of the Van Gogh exhibition at Tate Britain. The EY EXHIBITION : VAN GOGH AND BRITAIN is the eighth ground-breaking exhibition supported through the EY Tate Arts partnership.
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27th March – 11 August 2019
Tate Britain
Open Daily 10.00 – 18.00
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The exhibition is the first major event to explore the impact of British culture on Van Gogh as well as the legacy of his art in the works of British painters. The exhibition also explores both how Van Gogh was inspired by British art, literature and culture throughout his career and how he in turn inspired British artists, from Vanessa Bell to Francis Bacon.
Bringing together the largest group of Van Gogh paintings shown in the UK for nearly a decade, the exhibition includes over 50 works by the artist from public and private collections around the world.
Aside from being a large collection of works the exhibition amazingly works its way through a side of Van Gogh that was central to creating his works, his mental health. During the course of his life he battled with mental illness and spent many years within a psychiatric unit. During our curators tour Michel Drieseen, from EY, spoke of how ket to the success of the exhibition is the discussion of dignity and humanity which Van Gogh applies to his subject. Theres always a sense of affection in his portraits and the places he studies. This is where i think the exhibition comes into its own, exploring Van Gogh’s personal struggles and allowing the visitor to talk openly about mental health and how in the 21st century we bring normality and encourage discussion around this issue. The language used on the walls of the exhibition is a far cry from the usual wordy type we see so often in gallery spaces, this in itself feels inclusive and feels like a huge effort has been made to talk and provide a space even within the very walls of the gallery for conversations in a safe comfortable place. And what better place to be to do so, surrounded by some of the great works by the master himself.
If you have time spend an afternoon walking and exploring the rooms of Tate Britain, its most certainly one of their most successful exhibitions in many ways. We loved it.
We spent our Friday morning at Flowers Gallery exploring the amazing work of William Crozier. The first UK exhibition showing Crozier’s screen prints; the show is devoted to rarely seen prints produced between 1994 – 2010. 
William Croziers energetic and vibrant prints explore landscapes and imagined still lifes through bold patterns and textures. Italian and English landscapes merge in to one through his use of tropical, Mediterranean hues.
From the 1990’s onwards Crozier has worked with expert printers in both Dublin and Verona, Italy in a collaborative process to bring his paintings to life through the medium of screen print.
The amazing, vivid colours and painterly textures that can be achieved through the screen printing process replicate William Croziers energetic painting marks.
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The exhibition is a great example of how screen printing can be used to recreate other processes and explores a wide variety of techniques. It’s only on for one more week so make sure you don’t miss out!
William Crozier ‘Painter – Printmaker’
Flowers Gallery, Cork Street
13th Feb – 30th March
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Feeling inspired by our recent gallery trip?
Dahlia’s From Etna by Rose Electra Harris
£300
Edition of 20
Lazy Flowers by Claudia Borfiga
£65
Edition of 20
This year we are getting to know our artists a little more, by taking tours around their studios and exploring where all the magic happens. To kick off our series of tours, we visited the always lovely Lucille Moore. We have been working with Lucille over the last two years, turning her cardboard collages into limited edition screen prints.
We caught up with Lucille who is currently working on a new collection of work, all inspired by her recent trip to America, exploring the idea of ‘Wanted’; a home, a new life, love, freedom, adventure… Basic human desires and the original American Dream through the eyes of cowboys.
Within the majority of Lucille’s work, she uses cardboard, repurposing a material primarily used for packaging. Enjoying the freeness that cardboard allows her to be with her work, Lucille has gone on to create many pieces using this material, including her first piece ‘Fluffy Women’ which was featured in The RA’s Summer Exhibition 2016.
£150 // Edition of 100
To see Lucille’s entire collection on our online gallery, click here.
Did you grab Grazia’s March issue? Well if not, then make sure you grab your copy QUCIK! Because we have been featured and our Director Kate Higginson is talking all about how to choose and hang limited edition art. Featured in the article is our exclusive print ‘Fictional Interior II’ by Charlotte Taylor, interior design by 2LG Studio.
See the article below:
Fictional Interiors II by Charlotte Taylor
Edition of 25 // £90
Here at Print Club we always want to give you the inside scoop, we recently visited the House of Illustration’s latest exhibition of pop artist, social activist and nun, Corita Kent, ‘Power Up’. This is an exhibition you don’t want to miss! The show is filled to the brim with vibrancy, colour and joyousness even though the pieces within the exhibition deal with controversial topics and Corita Kent provided a new perspective on topics such as racism, misogyny and war.
Location: House of Illustration, Kings Cross
Running until 12th May 2019
Opening Hours:
Tuesday – Saturday 10am – 5.30pm
Sunday 11am – 5.30pm
Designed by the acclaimed Fraser Muggeridge studio, the exhibition will feature 70 screen prints showing the evolution of Corita’s work.
In the early 1960s she juxtaposed religious texts with advertising slogans, capturing the clamour and commercialism of LA’s post-WWII financial boom. Her 1965 screenprint power up derived from a gasoline advert, while her 1967 work come alive appropriated the iconic Pepsi-Cola slogan as an exuberant affirmation. Corita said of LA, “Up and down the highways we see words…that read almost like contemporary translations of the psalms for us to be singing on our way.” However, her 1964 print in homage to Mary, the juiciest tomato of all, was regarded as sacrilege by the church and banned from being displayed.
In the late 1960s Corita increasingly used art as protest against racism, misogyny, poverty and war. Working within the confines of America’s most conservative diocese, her voice was hugely influential in the country’s anti-authority shift, capturing the spirit of the anti-Vietnam war movement, civil rights movement and feminism. Her 1969 screenprints layered documentary material from Life, Newsweek and Time magazines – Corita’s “contemporary manuals of contemplation” – with song lyrics, poetry and quotes set against psychedelic day-glo colours. These include 1969’s if i, promoting compassion in the face of violence after Martin Luther King’s assassination.
Corita Kent, born Frances Elizabeth Kent and also known as Sister Mary Corita Kent, was an American Roman Catholic religious sister, artist, and educator. She worked almost exclusively with silkscreen, also known as serigraphy, pushing back the limitations of the two-dimensional medium by the development of innovative methods. Kent’s emphasis on printing was partially due to her wish for democratic outreach, as she wished for affordable art for the masses.Her artwork, with its messages of love and peace, was particularly popular during the social upheavals of the 1960s and 1970s.
We headed to the opening of a Fortnight of Tears by Tracey Emin at the White Cube. The show encompasses the entire gallery and this major exhibition includes sculpture, painting, photography and video. There’s also an intimate look at Emins’ personal diaries and sketchbooks, giving a deep look into the artists emotive larger scale pieces.
White Cube Gallery
6th February – 7th April 2019
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In her new paintings Tracey Emin explores the human form and emotions of loss, anxiety and physical trauma through energetic mark making and a subdued palette. Deep red blood stain tones and muted pinks show the connection between birth and death as she reflects on powerful events from her past .
The female form is also celebrated through large bronze sculptures such as The Mother and two other sculptures domineering the main gallery. The elongated limbs and distorted figures resemble the same fluid energy of her canvas paintings and there is an element of passion and angst within the pieces. The exhibition also shows an intimate look into her sketchbooks and diaries, with drawings and anecdotes from her archives.
This exhibition is a truly in depth exploration of Tracey Emins work and we highly recommend taking a trip South of the river to see it.
A Fortnight of Tears is on display at the White Cube in Bermondsey until the 7th of April 2019.
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Feeling inspired? You can shop figurative prints from our collection here.
£140 unframed.
£300 unframed.
This Valentines we had the absolute pleasure of being invited down to Fortnum & Mason Piccadilly store, to do some live printing with some of their customers. Not only we there with our live printing set up, but we had the lovely Megan Riera adding a personal touch with her hand finished lettering.
Customers were able to print the second layer of the two-layer print, they were then able to choose the name that they would like to be hand finished onto the print by Megan.
Check out all the action below:
If you’re interested in hiring us for your event either on location or at our East London Studio, please contact [email protected] or [email protected] for more information.
Some of you might have seen recently, we launched artist David Studwell’s BRAND NEW limited edition screen print ‘Elton John: Home Run-Dodger Stadium 1975’. David collaborated with Sir Elton John and Terry O’Neill, to create this amazing piece, using Terry’s photography of Elton on his stadium tour and has reimagined it using diamond dust highlighting Elton’s costume.
What makes this print even more spectacular, is that a one-off Artist Proof of the print, which was signed by Sir Elton John himself and Terry O’Neill raised up to £12,301 for the ‘Elton John AIDS Foundation’ Read all about it from the news clippings below.
‘Elton John: Home Run-Dodger Stadium 1975’ by David Studwell
Did you check out the Daily Mail framing segment? Well you should of because we’ve been featured! Check it out below, our Gallery and Project Manager is talking all about framing artwork!
After the success of the Summer Bazaar, Print Club London are bringing you their Xmas fair ’18. The perfect place to pick up unique gifts and hand-made stocking fillers. Spend the day perusing the many makers stands in our print studio while sipping on a FREE mulled wine and getting into the christmas spirit!
You’ll be able to purchase ceramics, zines, prints, t-shirts, greetings cards, weavings and much, much more.
There’s something for everyone and every budget!
Location: Print Club London, E8 2DS
Time: 11 – 5pm
FREE ENTRY
We are extremely excited and honoured to be collaborating with London’s biggest retail destination Oxford Street and its partners to make this Christmas one to remember.
Over the past six months, Print Club London have commissioned artists Paul Thurlby, Lucille Clerc and Elliot Kruszynski to curate three new limited edition screen prints, to be released as a part of the Christmas is Calling Campaign. For ONE night only if you shop in 30 selected stores across Oxford Street and spend over £50 you will be given a FREE artwork. Spend £100 or more to receive one of only 300 numbered and hand signed prints. Get in quick whilst stock is still available.
Date: Thursday 6th December 2018
Time: 5PM Onwards
Location: Oxford Street, W1B 3AG
Originally from Nottingham, Paul is an award-winning illustrator living in London. He was fortunate enough to have had his personal project, Alphabet, published as a children’s book in 2011. Since then he hasn’t looked back.
Paul loves original vintage posters and still has room on his walls for some more (hint, hint).
A London based illustrator and Print Maker. Taking inspiration from the everyday and mundane he always tries to inject some humour and life into even the most boring object. Working on a variety of projects from Children’s books to Wrapping paper to Murals, his work always comes with a smile.
Lucille is a French London based Illustrator. Lucille set up my studio in East London after graduating from Central Saint Martins with an MA in Communication Design and before, from ENSAAMA in Paris with a DSAA in Visual Communication. Lucille’s work mainly within the field of editorial design and illustration, occasionally also realising interior and exhibition spaces. Her work is mainly handcrafted from drawing to printing.
Participating Stores:
Accessorize Adidas Aldo Asics Bershka Calzedonia Debenhams Dune Evans Forever 21 French Connection GAP G-Star RAW Hawes & Curtis Hema HMV Intimissimi JD Sports John Lewis & Partners Jurlique Lipsy Matalan Massimo Dutti Miss Selfridge Monsoon Next Oud Milano Pandora River Island Schuh (200 Oxford St only) Stradivarius Sunglasses Hut Tezenis The Body Shop United Colours of Benetton Wallis Warehouse Whittards
We recently took a trip to the Tate Modern to explore the amazing new exhibition showcasing the work of Anni Albers. As the first major exhibition of her work in the UK the extensive collection explores the career of the Bauhaus artist from her well known weavings to unseen screen prints and original paintings.
Albers studied at the famous Bauhaus school in Weinmar, before moving to America with her husband Josef and studying at the experimental Black Mountain College. A pioneer in textile design she explored the relationship between functionality and aesthetic and was heavily inspired by grid like architectural forms. She looked to explore a new modern language through a traditional craft process.
The retrospective exhibition shows a lot of the work made throughout her time in the Bauhaus As well as Albers personal projects the exhibition also shows her more commercial textiles including fabrics for hotels and the drapes for the Rockefella’s guest house. There is also an amazing collection of antique textiles from around the world and you can see the influence of the couples travels on her creations.
The exhibition runs until January 27th 2019.
Tickets and more information can be found here.
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Feeling inspired? Shop Bauhaus inspired prints from our collection.
Grand Designs by Jonathan Lawes
Edition of 50
£50
Wellbeck Street, London by Angus Vasili
Edition of 25
£95
Christmas has come early to Michael Buffham-Wade’s beautiful Birmingham home this year! House Beautiful has featured Michael Buffham-Wade’s home in their December/January issue which features not one by three of our prints by artists Meggie Wood, Poppy Chancellor and collaboration between Cassandra Yap and Dave Buonaguidi.
Shop the prints below:
Love You To Death – Neon by Cassandra Yap and Dave Buonaguidi
Edition of 35 || £130
Love You to the Core by Poppy Chancellor || Pink Mermaid by Meggie Wood
Edition of 200 | £30 || Edition of 22 | £50
We are super excited to be featured in the November 2018 issue of The World of Interiors!
The World of Interiors were providing their readers with some sunny delights to add to their home! Not just one but TWO of our limited edition screen prints were featured by Lucy Kirk and Rose Electra Harris! You can bag one for yourself at the links below…
‘How the Leopard got his Spots’ by Lucy Kirk || ‘Bhaji on the Beach’ by Rose Electra Harris
£50 | Edition of 50 || £60 | Edition of 200
We recently visited Somerset House for the Private view of one of their latest Exhibitions ‘GOOD GRIEF, CHARLIE BROWN!’. The exhibition takes a close look at the famous artist Charles M. Shultz and his comic book creation Peanuts.
The first part of the exhibition takes a look at Charles’ younger life, and shows the preliminary work that led up to the creation of Peanuts. This felt very intimate and was interesting to see how many aspects of his childhood influenced the subject matter of his work later on in life. For comic book fanatics details about the sort of pen he used, as well as a look into how he uses speech in his work are also present.
The Exhibition is covered in amazing Peanuts objects that have been made over the years. Most of them are toys and little interesting collectables with a beautiful stand out typewriter towards the end of the exhibition.
The upstairs wing of the exhibition shows a great range of curated works by contemporary Artists based on Peanuts, some of which were created solely for the exhibition. Stand out pieces include some large painting (left) by Artist Mark Drew and a Snoopy banner (right) by Des Hughes. This long room is also full to the brim with more original Peanuts comics, tables of books to read, and a side room reveals a big cinema room to watch some cartoons and more visual works by other artists.
The final part of the exhibition includes a lovely drawing station that encourages people to create their own Peanuts comics by drawing on a light box. Although light hearted Peanuts often touches upon quite serious topics, and so the room also includes a Psychiatrist stations where patients can come to ask questions about art and life!
It all concludes with a great shop full to the brim with Peanuts Merchandise. There are dozens of books, games, clothes, prints and way more. The exhibition runs until March 2019 and is an absolute must for any comic book fan, and for any who aren’t you surely will be by the end of it.
Tickets and more information can be found here
If you’ve recently been to Kew Gardens you may have seen the newly refurbished Great Pagoda. Our long term Print Club member and artist Lucille Clerc had the honour of creating murals within the pagoda which climb all the way up inside the building. Lucille has produced 14 limited edition screenprints inspired by her visits to Kew Gardens, check them out below!
1. Night at Kew, Edition of 50, £180
2. Day at Kew, Edition of 50, £180
Having spent quite some time in the Gardens and even more while creating this project, Lucille carries on gathering a body of work around the botanical theme. Something she started years ago with her show “Wild Botanicus” here at Print Club London’s Gallery. Since then she’s been exploring the idea of conservatory, the relation between architecture and nature, constructed and cultivated, tamed and wild, endangered and protected.
Here is a new series inspired by Kew Gardens, a collections of sketches reflecting the sensation of wandering, the endless discoveries and hidden inhabitants and variety of species of the gardens, and the beautiful structures protecting the collections.
1. Vera, Edition of 50, £150
2. Mini Palm House #2, Edition of 30, £65
Mini Palm House
Edition of 30, £65
Palm House Panorama
Edition of 60, £120
The Great Pagoda was designed by Sir William Chambers, architect to King George IV, and completed in 1762 as a gift for Princess Augusta, the founder of the botanic gardens at Kew. It is a ten-storey octagon tower, standing at almost 50m and it offered one of the earliest and finest bird’s eye views of London.
Chambers studied oriental architecture in China, but when he designed Kew’s pagoda he ignored some of the rules. Pagodas should have an odd number of floors, traditionally seven (rather than ten), believed to represent seven steps to heaven. Yet The Great Pagoda was the most accurate reconstruction of a Chinese building in Europe at the time. It was originally flanked by a Moorish Alhambra and a Turkish Mosque, and 17 other follies from classical temples and ruins to eastern-inspired buildings that were all the rage in the great gardens of the time.
Historic Royal Palaces just refurbished The Great Pagoda and after months of work by a whole team of passionate historians, designers and craft-makers it is now back to its original 18th century splendour. This includes the original 80 dragons which originally adorned the roofs, each carved from wood
and gilded with real gold.
Lucille always had a thing for Kew Gardens since her first encounter with the Pagoda when she was 4. She’s been a member of Kew Gardens when she first moved to London and the gardens have been a source of inspiration in her screen prints since then.
Lucille won the tender set by Historic Royal Palaces for the creation of a mural inside the Pagoda, on the ground floor. The brief set by HRP and Skellon studio evolved as the project developed, and the initial illustrated panels changed into a whole mural.
The project grew over a few months from research, sketching the trees on the way to the Pagoda, portraying Sir William Chambers, King George IV and his mother Princess Augusta based on Kew Palace’s archives, drawing the two giant trees that surround the doors to scale with all their bark details, and leaves, stylizing iconic botanical species and animals present at the time in the gardens (based on curator Polly Putnam’s research) to find a style combining 18th century references and contemporary expectations.
LUCILLE’S THANKS!
Big thanks to project manager Tom Bennett and project director Craig Hatto, all the gentlemen at Bluesky, painters and scaffolding team, curator Polly Putnam, designers at Skellon Studio for this amazing adventure! And Farrow and Ball for being such a supportive sponsor, and providing such great quality paint (what a treat!)
Palm Spiral
Edition of 30, £160
1. Under The Leaves, Edition of 30, £65
2. Tropics This Way, Edition of 30, £65
Waterlilies
Edition of 30, £65
1. Palm Canopy, Edition of 50, £120
2. Palm Zigzag, Edition of 60, £120
Mangrove Mirage
Edition of 50, £230
BLISTERS: SEASON SEVEN is a distant memory now… Or is it, we still have tons of rad artwork inspired by your favourite TV shows available on our online gallery! Scroll down to see a recap of all the fun that was had at the show and a selection of the pieces still available for sale!
Edition of 50, £50
It’s important to share with you all the people who made Blisters possible! Without our neighbours over at MC Motors, we wouldn’t have a space to put on the biggest screenprinted poster show! Thank you Castle Gibson for lending us the space and Ruby’s Dalston for serving up all the refreshments for the evening!
The Big Breakfast by Gavin Dobson
Edition of 50, £50
The Great British Bake Off by Aleesha Nandhra
Edition of 50, £50
This Year we were kindly sponsored by Beck’s Beer who kept your thirst quenched throughout the evening, launching their Be Kreativ Art labels at Blisters: Season Seven!
Rainbow by Rose Stallard
Edition of 50, £50
Stranger Things by Oli Fowler
Edition of 50, £50
Year on year GF Smith always support all our projects and Blisters is no exception! The lovely people a GF Smith supplied us with over 3000 sheets of paper this year and we can’t thank them enough!
Pets Win Prizes by Hannah Carvell
Edition of 50, £50
The Simpsons by Omar Careaga
Edition of 50, £50
Planet Earth by Elliot Kruszynski
Edition of 50, £50
| Printing fifty editions can be pricey but our ink suppliers over at Screentec Print Essentials generously sponsored us a pot of ink for each poster in the show! |
Frozen Planet by Charlie Blanchard
Edition of 50, £50
Westworld by Joe Wilson
Edition of 50, £50
And finally, after all the Beck’s beer you were all in need of some grub! Imad’s Syrian kitchen came up trumps and supplied you all with delicious plates of his stand-out falafel! Here at Print Club HQ we LOVE imad’s food!
The Twilight Zone by Concepcion Studios
Edition of 50, £50
Teenage Mutant Ninja Turtles by Ben Rider
Edition of 50, £50
Black Mirror by Sam Baldwin
Edition of 50, £50
A HUGE thank you, to everyone who made it down to our Summer Bazaar on Saturday! We hope you walked away with your purses feeling a little lighter and hands full of amazing goodies!
Scroll down for all of the action:
As well as our Summer Bazaar, we had the opening of our ‘2018 Print-ern Show’ showcasing the amazing work of Charlie Gould! If you weren’t able to make it down then have no fear, as the show will be on until 28th September.
Voodoo Baby by Charlie Gould || Macks Mountain Cow Milk by Charlie Gould
Edition of 30 // £70 || Edition of 40 // £60
Thank you to MC Motors for helping us bring our Summer Bazaar to life, by using their yard!
Did you check out the latest issue of You magazine? Well you should of because it featured one of our artists Jonathan Lawes’ piece of art! You can take a peek below…
Unfortunately the print featured is now out of stock but don’t fear you can still get your hands on some of Jonathan’s work!
We have been blown away by the support for our collaboration with Help Refugees. We are continuing to raise funds for the charity throughout the year so watch this space for more releases and exclusive prints. This project wouldn’t have been possible without the dedication of our artists, especially Adrian- Florin Ardelean and his team who produced our behind the scenes film showcasing some of our favourite artists creating their ‘Choose Love’ pieces.
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Watch below to see Mr Bingo, Rose Stallard, Alexa Coe & Rob Ryan working on their exclusive artworks.
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Shop the Choose Love collection here.
Choose Love – Rose Stallard
Edition of 5
£500.00
Choose Love by Donk
Edition of 2
£500.00
All proceeds from the sales of the Choose Love prints directly support the incredible work of Help Refugees.
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We were invited down to get inky with Bombay Sapphire for the launch of their brand new campaign Stir Creativity. For the event Bombay Sapphire teamed up with one of our artists Stephanie Unger, to produce a bespoke design which was live printed throughout the day.
Take a look at all the action below:
Our team and equipment can be transported into any location, working with your guests to print posters t-shirts or totes! So if you’re interested in learning more about our live printing events, please don’t hesitate to get in touch by emailing [email protected]
For one day only we will be transforming not only our East London print studio but our Miller’s Avenue alleyway into our Summer Bazaar! It’ll be filled to the brim with works from our artists, technicians and studio members!
It’s the perfect opportunity for you to pick up some hand-made goodies, amazing affordable art and to try some tasty treats by some of our favourite food vendors!
Here are some snaps of the artist’s involved in last years market:
Positive Press
Francesca Tiley
Sam Baldwin
Aleesha Nandhra
Mean Mail
Vicky’s Donuts
Date: Saturday 18th August
Time: 11am – 5pm
Location: Print Club London Gallery, 10-28 Millers Ave, London, E8 2DS
If you would like to attend, click here.