Over the last few months we have been working with some of our artists on a series of NFTs which are now available to buy online! The artworks are based on original screen-prints re-worked with animation into their new form as an NFT. All our artworks are positioned on a platform that uses green and clean crypto, Tezos. Visit our OBJKT profile to collect our newly released NFT.
You can view all our NFT’s here or scroll down to view
Maxine is a contemporary artist that combines typography, photography, grid layering and nostalgic imagery to create intriguing artworks. Her hand-pulled screen prints are a unique combination of vintage motifs and futuristic compositions. Her art is often described as ‘Nostalgic Futurism’. Her CMYK printing process helps blend retro and current imagery together, creating surrealist artworks that are futuristic yet familiar.
Rose Stallard, illustrator and Creative Director of Print Club, mixes up her own drawings with found images from across the board, injecting fanzine-like enthusiasm (and discernment). Clients include The Guardian, Fiction Records, Urban Outfitters, Dazed & Confused and Glastonbury.
Gavin is a London based artist, with initial training in Fine Art at Middlesex University.
Gavin’s paintings are loose and expressive, using fluid movements and textures to create engaging and lively pieces. Often the canvas has been used previously as a palette to create marks and mix colours unconsciously, before it becomes the beginnings of a piece itself.
Gavin’s screenprints often depict colourful, nostalgic images. As a painter who takes their work into screenprinting, Gavin brings the textures, drips and strokes into his printmaking and the use of negative space keeps the pieces fresh and contemporary.
Clients include Gaytimes, Boyz, Diva, Woodmansterne, Portfolio, Kingshead, Oval House and Trafalgar Studios.
Stuart graduated from Central St Martin’s School of Art with a First Class BA Hons in Fashion Design followed by an MA in Film Production Design.
Over the years he has worked in several creative areas including Film Production and prop making, Art direction for Television, Product development and Interior design for both private and commercial spaces. He recently returned to his first love of image making and his work focuses on combining classical and modern imagery to create a new narrative showing how time marches forever forward but human fears and desires ultimately remain the same. His art is best described as a dark and subtle clash between the Iconic and the ironic.
Donk is a photographer, printmaker and street artist, working in the urban paste -up poster tradition. He has worked as commercial photographer since the mid 1990’s but in 2008 decided to create the moniker ‘Donk’ to anonymously explore a series of new personal visual ideas. Curious to unlock the d.i.y creative potential of direct dialogue with the local environment, and fascinated by the ephemeral nature of unsanctioned creativity, he set about pasting his work into the east end of London and elsewhere.
I am a flourescent ink obsessed screenprint maniac, artist and teacher. I specialise in making rough, raw, punky image making bursting with energy and loud graphics, and have worked for clients such as Crocs, Brewdog, Film4, and The Prodigy.
My Work is built up from a dense hybrid of drawings, collaged imagery and multi – layered colours. I am a big fan the offsets, drips and fades to create an authentic distressed aesthetic.
Originally from Singapore, Cassandra Yap is an artist and art director based in London. Her work often explores the juxtaposition between dark and beautiful subjects to create the surreal. Fuelled by her love of pin ups, the female form and an unhealthy obsession with vintage erotica, her photomontage halftone style images are dark, bold and humorous with a kinky edge.
Exhibitions include: Print Club Blisters Blackout ’10, Blisters The Directors Cut ’12 & Blisters Sound Sessions, 3939 Shop pop up gallery at the Shop At Bluebird, The London Illustration Fair ’13, Dalston Superstore, The Affordable Art Fair Battersea ’14, solo show at Laylow Art Gallery in Palma de Mallorca, Wall Street Gallery’s Revolution group show in LA, Affordable Art Affair Hampstead ’15 and Film 4 Summer screen print show at Somerset House.
The low carbon footprint of Tezos means developers and users can prioritize innovation without compromising sustainability. As a platform designed to evolve through its on-chain governance mechanism, the efficiency of Tezos is not by accident, but by design. This flexible design means that Tezos can always adapt to future needs and grow in accordance with the needs of the users on the platform. In fact, the Tezos blockchain has increased in energy efficiency on a per transaction basis by at least 70%, with the estimated electricity requirement per transaction being less than 30% in 2021 than what it was in 2020.