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Life is Short Ionut Radulescu Print Club London Screen PrintThings to do Ionut Radulescu Print Club London Screen Print

Ionut Radulescu

Shop Ionut's exclusive print collection from Print Club London
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Bonnie & Clyde

Print Club London have brand new mixed media collages from Bonnie & Clyde, available now!
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Untitled #1 Utopias (IRL//URL) Romily Alice Print Club London Screen PrintUntitled #2 Utopias (IRL//URL) Romily Alice Print Club London Screen PrintUntitled #3 Utopias (IRL//URL) Romily Alice Print Club London Screen Print

Romily Alice Walden

Romily Alice Walden's neon lady screen prints are exclusive to Print Club London
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Holly Wales

I am an illustrator and educator based in London, UK. My work explores a variety of subject matter and is predominantly drawing-based. I work with multiple layers of colour and deconstruct forms to build dynamic compositions.

My work plays on chance and process to produce a body of work which remains in a constant state of flux, where the process behind one image becomes the beginning of the next, focussing on the performance of chaos in a controlled visual structure, and highlighting moments in time. I have exhibited work internationally in a number of group shows.

 

My client list includes; Bloomberg, Design Week, Deutsche Bank, Fallon, Financial Times, Frieze, Nestle, The Guardian, The Independent on Sunday, The New York Times, Royal College of Art, GAS (Japan), The Huffington Post, The V&A, The Telegraph, Uniqlo, Nylon, Conde Nast, Urban Outfitters and Wired. I also illustrate a regular weekly column, “Lives” for The New York Times Magazine.

 

I have written projects and taught on illustration and design programmes at Winchester School of Art, University of Westminster, Central St Martins, Brighton University, Camberwell College of Arts, Leeds College of Art & Design, Birmingham Institute of Art & Design, Falmouth University, University of Derby and Cardiff School of Art. My teaching focuses on the importance of ‘thinking through making’, and highlights methods of escape from the inertia caused by access to a wealth of images.